Eiman Elgibreen
  • About
  • Career
  • Curation
  • EXHIBITIONS
  • Research
  • Gallery
    • Who’s the “Greatest” of them All?
    • Brainchild
    • Elecetronic Veils Series
    • Alice in Wonderland
    • The Sky [Wa]s [Never] the Limit
    • A moment that yet to Come
    • Turkiyyeh Trilogy
    • Does a face make a difference?
    • Do not judge me, just look at my work
    • Banksi and I
    • What are you looking at?
    • Saudi women artists
  • Contact
Academic Research:
  • ‘Following the Guiding Light: Lessons Learned From Noor Riyadh and Other Large-Scale Events in Saudi Arabia’, an academic paper presented at Imagining Art Futures: Collection and Exhibition Strategies in the Gulf Region Symposium, funded by Loughborough University and Barjeel Art Foundation, Loughborough, UK, May 2023.
  • ‘The Pedagogy Of Art History In Saudi Arabia: A Trial-And-Error Process’, an academic paper presented at CAA Annual Conference, funded by the Getty-CAA International Grant for Art Historians, Chicago, February 2020
  • ‘The Archive At Play: What You See Is NOT What You Get’, an paper presented at SURGlobal Meetings, Museum of the Emigrants (MUNTREF), Buenos Aires, Argentina, June 2018.   
  • Collaborated with Museum of Modern Art in New York (MoMA) research team in providing some material on Saudi art for: Lenssen, Anneka, Sarah Rogers, and Nada Shabout, eds. Modern Art in the Arab World: Primary Documents. New York: The Museum of Modern Art, 2018.
  • ‘Documenting Saudi Art: The Good, The Bad, And The Ugly’, an academic paper presented at Writing Narratives: Documenting the Art Production of Modern Arab Artists symposium, funded by the Shaikh Ibrahim Al-Khalifah Center, Bahrain, October 2017.
  • ‘Silenced by The Discourse: The Question of Feminist Art in Saudi Arabia’, an academic paper presented at the AAH Annual Conference, Loughborough University, UK, April 2017.
  • ‘Behind the Lattice Window: A Case of Female Patronage in Jeddah, Saudi Arabia’, an academic paper presented at the AAH Annual Conference, , Loughborough University, UK, April 2017.
  • ‘Abstraction In Saudi Art: One Solution, Various Situations’, A paper presented in The Fourth Annual AMCA Conference: Abstraction Unframed, held at New York University in Abu Dhabi and Barjeel Art Foundation in Sharjah, May 2016.
  • ‘Image Making: Representations of Women in the Art and Career of Safeya Binzagr from 1968 to 2000’, PhD thesis, April 2015.
  • ‘The Slipper Carrier: Re-Presenting Domestic Space’, an academic paper presented at The AAH 40th Annual Conference, Royal College of Art, London, April 2014.
  • ‘Searching For Identity In The Memories Of Others’, an academic paper presented at Ihe Postgraduate Symposium, University of Sussex, Brighton, UK, April 2013.
  • ‘Suggested Program to Educate the Youth On the Role of a Selected Group of Female Painters from 1850 to 1950', MA dissertation, June 2006.
 
Publications:
  • Eiman Elgibreen, Space: A Tale (Riyadh: MiSK Art Institute, 2019).
  • Nada Shabout and Eiman Elgibreen, After Illusion (Rome: Saudi Ministry of Culture and MiSK Art Institute, 2019).
  • ‘Art Starts at Home: The Saudi Artists' Dream’, in That Feverish Leap into the Fierceness of Life, ed. Sam Bardaouil and Till Fellrath (Dubai: Art Dubai and MiSK Art Institute, 2018), 122-147.
  • Eiman Elgibreen, Kashkool Fanan (Riyadh: Dar Al-Mufradat, 2003).
  • About
  • Career
  • Curation
  • EXHIBITIONS
  • Research
  • Gallery
    • Who’s the “Greatest” of them All?
    • Brainchild
    • Elecetronic Veils Series
    • Alice in Wonderland
    • The Sky [Wa]s [Never] the Limit
    • A moment that yet to Come
    • Turkiyyeh Trilogy
    • Does a face make a difference?
    • Do not judge me, just look at my work
    • Banksi and I
    • What are you looking at?
    • Saudi women artists
  • Contact
Images copyrights: Eiman Elgibreen, 2022